{"title":"Vintage Archive","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"twentytwentyone was founded with a strong representation of original, vintage design. Explore our archive of vintage furniture and lighting here.\"}' data-sheets-userformat='{\"2\":943,\"3\":{\"1\":0},\"4\":[null,2,16770457],\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"11\":4,\"12\":0}'\u003e\u003c\/span\u003etwentytwentyone was founded with a strong representation of original, vintage design. Our experience and enthusiasm for vintage mean we continue to source historical pieces. \u003c\/p\u003e\n\u003cp\u003eVintage design adds personality, patina and warmth to an interior. It may be a valuable investment or an opportunity to enjoy a one-off example of design history. Explore our archive of vintage furniture and lighting here.\u003c\/p\u003e","products":[{"product_id":"royal-festival-hall-table","title":"Robin Day | Royal Festival Hall Table | 1951","description":"\u003cp\u003e\u003cstrong\u003eRoyal Festival Hall Table\u003c\/strong\u003e by \u003ca href=\"https:\/\/twentytwentyone.com\/designer\/robin-day\"\u003e\u003cstrong\u003eRobin Day\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRobin Day was awarded the highly significant commission to design furniture for the Royal Festival Hall almost immediately following his success in the Museum of Modern Art competition.\u003c\/p\u003e\n\u003cp\u003eThe Royal Festival Hall represented the first modern public building to be constructed after the war, and formative in the South Bank redevelopment. It was a large and complex building, demanding a host of visitor and user needs.\u003c\/p\u003e\n\u003cp\u003ePeter Moro was part of the team of architects for the building and oversaw the interior specifications. Robin Day was assigned the challenge to design for the concert hall, orchestra and public seating for restaurants, foyer, and terraces.\u003c\/p\u003e\n\u003cp\u003eHis seating designs for the free-flowing public areas and restaurants are now recognized as landmarks in the history of modern furniture and examples of the sophisticated and progressive plywood group are held in museum collections worldwide.\u003c\/p\u003e\n\u003cp\u003eThe dining table created to complement the seating was equally modern in aesthetic and function. The lightweight leg structure echoed that of the chairs, reflecting the open and light spaces of the building and allowing the deep top to apparently float in a similar manner to the sculptural plywood backs of the seating.\u003c\/p\u003e\n\u003cp\u003eBoth round and square designs were created for the building, with outdoor versions employed on the terraces.\u003c\/p\u003e\n\u003cp\u003eThe pioneering furniture designs formed an integral part of the modernistic architectural design of the Royal Festival Hall and were influential in the integration of contemporary design in the post-war era.\u003c\/p\u003e\n\u003cp\u003eThe progressive auditorium seating remains in use to this day, and whilst the orchestra chairs were refurbished several times, the majority of the original furniture was destroyed or disposed of by London County Council.\u003c\/p\u003e","brand":null,"offers":[{"title":"Default Title","offer_id":20765921280111,"sku":"991197","price":1800.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/robin-day-festival-hall-table-1.jpg?v=1644974303"},{"product_id":"alvar-aalto-69-chair","title":"Alvar Aalto 69 Chair | 1935","description":"\u003cp\u003e\u003cstrong\u003e69 Chair\u003c\/strong\u003e by \u003ca href=\"https:\/\/twentytwentyone.com\/designer\/alvar-aalto\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eAlvar Aalto\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe iconic Aalto 60 stool provided the basis for a host of furniture designs employing the innovative L-Leg.  Seating, tables and storage furniture all shared the component to provide structural and functional integrity.\u003c\/p\u003e\n\u003cp\u003eThe chair offered has a unique provenance having come from the University of Technology, Helsinki. The Aalto designed building began construction in 1949 and the tables released during a refit in 2012\u003c\/p\u003e","brand":null,"offers":[{"title":"Default Title","offer_id":20768109068399,"sku":"991217","price":225.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/aalto-chair-69-1.jpg?v=1644956227"},{"product_id":"alvar-aalto-chair-45-1945","title":"Alvar Aalto Chair 45 | 1945","description":"\u003cp\u003e\u003cstrong\u003eChair 45\u003c\/strong\u003e by \u003ca href=\"https:\/\/twentytwentyone.com\/designer\/alvar-aalto\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eAlvar Aalto\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe design for Chair 45 symbolises Aalto’s quest to continue to develop new typographies within his furniture. The frame and leg are constructed in laminated birch and together accentuate a solidity with pronounced depth to seat and back. The armchair was conceived to provide a long sitting position with comfort afforded through the deeply upholstered seat.\u003c\/p\u003e\n\u003cp\u003eThe chair offered has the distinctive quilted covered designed by Aalto to create a level of lightness and transparency, whilst being more luxurious than the standard linen webbing available in this design and other chairs such as the stacking 611.\u003c\/p\u003e\n\u003cp\u003eThe wide armrests are another strong gesture towards ergonomics and are boldly wrapped in a vinyl covered cord to provide a comfortable and tactile surface.\u003c\/p\u003e\n\u003cp\u003eAalto frequently used such coverings to wrap architectural elements such as columns and bannisters in cane or leather, and his floor lights also featured wrapped stands.\u003c\/p\u003e\n\u003cp\u003eAs with many Aalto designs the Chair 45 was considered part of a family to suit a host of needs and environments. The individual design could be dressed in a range of upholstery types, or the open seat frame left exposed with cane, webbing or vinyl upholstery treatments.\u003c\/p\u003e\n\u003cp\u003eNote: Price is for a single 45 chair. Pair available.\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cbr\u003e 61x60x43\/82cmh\u003c\/p\u003e","brand":null,"offers":[{"title":"Default Title","offer_id":20768109133935,"sku":"991215","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/aalto-45-991215-1.jpg?v=1644956248"},{"product_id":"interplan-chest-of-drawers-1954","title":"Interplan chest of drawers | 1954","description":"\u003cp\u003e\u003cstrong\u003eUnit P Interplan chest of drawers\u003c\/strong\u003e by \u003ca href=\"https:\/\/twentytwentyone.com\/designer\/robin-day\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eRobin Day\u003c\/strong\u003e\u003c\/a\u003e for \u003ca href=\"https:\/\/twentytwentyone.com\/manufacturer\/hille\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eHille\u003c\/strong\u003e\u003c\/a\u003e, 1954.\u003c\/p\u003e\n\u003cp\u003eInterplan was an extensive range of storage units designed around a standard module size. The cabinets worked singularly or as a system. With fourteen modules available, the range offered a new level of flexibility for users.\u003c\/p\u003e\n\u003cp\u003eLaunched at the Milan Triennale in 1954, the range was well received for its timeless and restrained design. \u003c\/p\u003e\n\u003cp\u003eIt was produced with either rosewood or ash veneered fronts that sat flush with the solid mahogany case. Using brass handles the modernist outline for flat-fronted cabinets proposed a new aesthetic for storage, when many other designs maintained recessed drawer and door fronts.\u003c\/p\u003e\n\u003cp\u003eRobin Day is Britain's most renowned furniture designer. Having won the Museum of Modern Art's Low Cost Furniture Competition in 1948, he went on to design an exceptional and respected cross-section of furniture in a career spanning more than 60 years.\u003c\/p\u003e\n\u003cp\u003eAn acute understanding of materials and manufacturing processes, aligned with progressive design skills allowed for landmarks in the history of furniture design. His polypropylene seating is acknowledged as the world's best selling chair.\u003c\/p\u003e\n\u003cp\u003eRobin Day’s achievements are not restricted to furniture and his industrial designs, exhibitions, graphics, and interiors are highly respected for individual flair and modernist sensibilities.\u003c\/p\u003e\n\u003cp\u003eAlongside his wife, textile designer Lucienne Day, the couple is revered and acknowledged for introducing contemporary design to Britain.\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cbr\u003e 92 x 46 x 63cmh\u003c\/p\u003e","brand":"Hille","offers":[{"title":"Default Title","offer_id":20768109363311,"sku":"991206","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/robin-day-interplan-1.jpg?v=1571711855"},{"product_id":"robin-day-interplan-desk-1955","title":"Robin Day Interplan desk | 1954","description":"\u003cp\u003e\u003cstrong\u003eInterplan secretaire\u003c\/strong\u003e by \u003cstrong\u003e\u003ca href=\"http:\/\/twentytwentyone.com\/designer\/robin-day\"\u003eRobin Day\u003c\/a\u003e\u003c\/strong\u003e for \u003cstrong\u003e\u003ca href=\"http:\/\/twentytwentyone.com\/manufacturer\/hille\"\u003eHille\u003c\/a\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe Unit J Interplan desk is a modern interpretation of the classical drop-front desk from the 18th Century. In the early 19th Century the Shakers produced a tall, plain version known as the ‘cupboard desk’.\u003c\/p\u003e\n\u003cp\u003eThe restrained modernist elevation by Robin Day marries with the Interplan family through dimensions and detailing, though the cabinet-making is more complex with the combination of drawers and desk unit. The marriage works well and despite the simple design, the use of contrasting elm and Nigerian cherry adds a dynamic and affluent feel. The recessed handles provide a flat and minimal appearance to the desk, which is echoed through the functionalist layout within. The writing desk was expensive and is a rare model from the Interplan family.\u003c\/p\u003e\n\u003cp\u003eThe Interplan range was designed in 1954 and based around an 18inch module. The range of units were designed to offer users flexibility and to work singularly, or as part of a system. It was quite different to anything else in the market at the time.\u003c\/p\u003e\n\u003cp\u003eRobin Day went on to design several other storage systems that anticipated the demand for flexible needs in both domestic and commercial interiors.\u003c\/p\u003e\n\u003cp\u003eThe example offered is veneered in ash and Nigerian cherry and is labelled with the early version of the Hille logo.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 91w x 45d x 114cmh\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hille","offers":[{"title":"Dimensions","offer_id":20769667612783,"sku":"991171_2","price":1795.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/R-Day-Interplan-secretaire-2.jpg?v=1571711856"},{"product_id":"eames-aluminium-group-1958","title":"Eames Aluminium Group | 1958","description":"\u003cp\u003eConsidered to one of the greatest furniture designs of the twentieth century, the Aluminium Group was conceived as in the mid-1950’s as part of the furnishings of a private house in Indiana.\u003c\/p\u003e\n\u003cp\u003eCharles and Ray Eames approached the design from an engineering and ergonomic perspective. The seat was stretched taut between two aluminium side members, following the line of the sitters back, and without the need for elaborate upholstery. The principle was adopted throughout a range of chair frames providing different functions throughout the home and office.\u003c\/p\u003e\n\u003cp\u003eThe Aluminium Group has proved to be a highly versatile design and has been in continuous production since 1958.\u003c\/p\u003e\n\u003cp\u003eThe chairs offered are in black wool, with polished aluminium frames and fixed bases.\u003c\/p\u003e\n\u003cp\u003eTwo available, price is for one chair.\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cbr\u003e 58w x 59d x 40\/83cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769667711087,"sku":"991015","price":550.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Aluminium_group_01.jpg?v=1571711856"},{"product_id":"eames-softpad-lounge-chair","title":"Eames Softpad lounge chair","description":"\u003cp\u003eEames Softpad lounge chairs, EA216.\u003c\/p\u003e\n\u003cp\u003eThe design of the Soft Pad Group dates from 1969. In terms of both construction and shape, these chairs are similar to the design of the Aluminium Group conceived in 1958, however the additional cushions were introduced to provide and increased level of comfort. The two families share the same striking silhouette and are constructed in an identical way. The Eames’ rejected the principle of a seat shell in favour of stretching the upholstery between two aluminium side profiles. The fabric or leather is seamlessly fixed within the side members and held taut between the frames with aluminium stretchers. The innovative design provides a highly simplified aesthetic whilst providing comfort and functionality across a range of seat options.\u003c\/p\u003e\n\u003cp\u003eCharles \u0026amp; Ray Eames are considered the most important figures in twentieth century design. They excelled in the fields of furniture design, film-making, photography and exhibition design.\u003c\/p\u003e\n\u003cp\u003ePrice is for a single lounge chair in black leather with polished aluminium frame.\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cbr\u003e 62w  x 67d  x 89cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769667776623,"sku":"991051","price":1200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/EA216_03.jpg?v=1571711856"},{"product_id":"robert-heritage-drum-table-1960","title":"Robert Heritage | Drum table | 1960","description":"\u003cp\u003eRobert Heritage, ‘Drum’ table for Archie Shine Ltd, UK. c.1960\u003c\/p\u003e\n\u003cp\u003eThis design by Robert Heritage typifies his refined and subtle approach towards furniture. Referring to historical precedents, the table recalls Regency centre tables with deep profile, central pedestal and finished in an exotic veneer. The inset drawers add functionality and extend the application toward being suitable a library or office\/study table. Using solid and veneered rosewood the cabinet is made to extremely high standards by British cabinet maker Archie shine. The construction of the circular top of such depth and with drawers is a complex and costly construction, rarely seen in contemporary furniture.\u003c\/p\u003e\n\u003cp\u003eThe partnership between Heritage and Archie Shine began in the late 1950’s and continued through the 1960s. The designs by Robert Heritage embraced classical elements though were thoroughly modern in proportion and detailing.\u003c\/p\u003e\n\u003cp\u003eRobert Heritage is largely overlooked as a designer. He was awarded more COID (Council Of Industrial Design) design awards by the Design Council than any other British designer in the 20th Century. His worked extended from industrial products, to lighting and even to furniture for the QE2. Heritage was acknowledged as Royal Designer for Industry, awarded a CBE and was professor of furniture at the Royal College of Art.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 115dia x 72cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769667842159,"sku":"777","price":1295.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Heritage_Drum_01_0.jpg?v=1571711856"},{"product_id":"eames-ctw-1945","title":"Eames | CTW | 1945","description":"\u003cp\u003eCharles and Ray Eames, CTW 1945 Herman Miller\u003c\/p\u003e\n\u003cp\u003eThe Eames’ designed a range of tables to compliment their landmark plywood lounge chairs (LCW and LCM). They experimented with various leg configurations in both plywood and steel, though always with the sculptural moulded plywood top. The production of 4-legged CTW (Coffee Table Wood) and CTM (Coffee Table Metal) commenced in 1946. The design was a minimal statement in the use of wood and fixings, intended to be mass-produced, lightweight and functional.\u003c\/p\u003e\n\u003cp\u003eManufactured by Evans Products and then Herman Miller in 1949, the tables were produced until 1957. Vitra began production again in the 1990’s. The modernistic form, construction and design longevity cements  the table as a design classic.\u003c\/p\u003e\n\u003cp\u003eThe early example offered is in ash veneer and likely to be Evans Moulded Plywood Division.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 86dia x 39cmh\u003cbr\u003e  \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769667973231,"sku":"741","price":2200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/eames_ctw_01.jpg?v=1571711856"},{"product_id":"kjaerholm-pk9-1961","title":"Kjaerholm | PK9 | 1961","description":"\u003cp\u003ePoul Kjaerholm PK9, 1961 E. Kold Christensen\u003c\/p\u003e\n\u003cp\u003eThe PK9 chair is considered to be one of Kjaerholm’s most beautiful designs. The elegant tri-pod base fuses with a highly sculptural seat. The shape of the seat is a development of a steel-rod chair from 1953 that was not produced. The evocative shape is covered in an envelope of leather, whose pattern-making is a significant design accomplishment. The design for a minimal, sweeping, three-legged base is both individual and quietly expressive, giving the chair a visually light appearance. The organic and curved lines of both seat and base provide elasticity in use and create a wholly artistic design.\u003c\/p\u003e\n\u003cp\u003eAs with many of Kjaerholm’s designs, the PK9 is minutely detailed and its simplicity disguises great craftsmanship in the marriage of machined and handfinished elements.\u003c\/p\u003e\n\u003cp\u003eThis chair is from the first production by Ejvind Kold Christensen, Denmark.\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668038767,"sku":"991003","price":1200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/pk_01.jpg?v=1571711856"},{"product_id":"kai-kristiansen-desk-1929","title":"Kai Kristiansen | desk | 1929","description":"\u003cp\u003eKristiansen is relatively unknown outside of Denmark, though his work is well respected in his home nation. He trained as a cabinet-maker and following graduation in 1948 went on to Danish Academy of Fine Arts, under tutorage of Kaare Klint. Thereafter he opened his own office and worked for a host of respected furniture manufacturers including Fritz Hansen and Magnus Olesen. His designs for shelving and case furniture utilised a geometric relationship inspired by Klint’s work, and his seating designs, such as the No.42 chair, captured the spirit of Denmark’s, post-war golden period of design.\u003c\/p\u003e\n\u003cp\u003eThe oak desk produced by Preben Schou Anderson displays a simple and timeless outline. The arrangement of twin pedestals and shadow-gap delineation between drawers and top creates a striking elevation. The use of inset aluminium drawer pulls and sabots on the legs create a very individual and high quality value to the desk.\u003c\/p\u003e\n\u003cp\u003eThe right side drawer set is full depth to provide filing and the rear-side of the desk has open storage.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 155w x 75d x 72cmh\u003cbr\u003e  \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668104303,"sku":"991009","price":2400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Kristiansen_01.jpg?v=1571711856"},{"product_id":"alvar-aalto-dining-table","title":"Alvar Aalto | dining table","description":"\u003cp\u003eAlvar Aalto, dining table for Finmar.\u003c\/p\u003e\n\u003cp\u003eAalto’s revolutionary ‘bent-knee’ provided a solution to a historical and practical problem of connecting the vertical and horizontal planes. The harmonious and appealing resolution was achieved through inserting thin laminates into slots cut into the solid birch leg. Aalto’s design allowed for a host of different table and chairs designs.\u003c\/p\u003e\n\u003cp\u003eThe table offered is a prewar example, with Finmar label.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 91dia x 69cmh\u003cbr\u003e  \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668137071,"sku":"755","price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/aalto_table_07.jpg?v=1571711856"},{"product_id":"harry-bertoia-wire-side-chair-1952","title":"Harry Bertoia | Wire side chair | 1952","description":"\u003cp\u003eHarry Bertoia’s work as a sculptor was translated into furniture design in the early 1950’s with a family of chairs that exploited bent and welded steel rods.\u003c\/p\u003e\n\u003cp\u003e“If you look at these chairs, they are mainly made of air, like sculpture. Space passes through them”\u003c\/p\u003e\n\u003cp\u003eKnoll International has produced the series continuously since 1952. The side chairs offered have their original vinyl seat pads and probably date from the mid 1960’s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item has now been sold. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 54w x 58d x 46\/73cmh\u003cbr\u003e  \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668202607,"sku":"991008","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/bertoia_02.jpg?v=1571711856"},{"product_id":"eames-limited-edition-lcw-1946","title":"Eames | Limited Edition LCW | 1946","description":"\u003cp\u003eCharles and Ray Eames, limited edition rosewood LCW, 1946.\u003c\/p\u003e\n\u003cp\u003eThe Lounge Chair Wood (LCW) is considered to be the Eames’ finest design. The marriage of progressive technology, form and functionality combine to create one of the most important modern seating design.\u003c\/p\u003e\n\u003cp\u003eThe LCW was launched in 1946 after much development by the Eames in the three-dimensional moulding of plywood. The chair provides comfort, economy of structure and is highly sculptural.\u003c\/p\u003e\n\u003cp\u003eLounge Chair Wood has been in continuous production since inception and is found in many museum collections, including the V\u0026amp;A and MOMA.\u003c\/p\u003e\n\u003cp\u003eIn 1996 Herman Miller USA marked the 50th anniversary by producing a limited edition of 500 chairs utilising the remaining stock of Brazilian rosewood discovered at their factory. The edition sold out immediately and each chair is numbered and marked with a plaque.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 56w x 61d x 30\/68cmh\u003cbr\u003e  \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668300911,"sku":"S1","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/eames_lcw_01.jpg?v=1571711856"},{"product_id":"heritage-marble-top-cabinet-1960","title":"Heritage | marble-top cabinet | 1960","description":"\u003cp\u003eRobert Heritage marble-top cabinet for Archie Shine c. 1960\u003c\/p\u003e\n\u003cp\u003eThe marble-top cabinet by Robert Heritage marks the epitome of his ability to create high-end furniture that is restrained and modern. The materials and detailing in this design are unequivocally luxurious. Connemara marble is renowned for being the world’s finest truly green marble and one of the rarest. The stone top is combined with solid and veneered rosewood that has been carefully selected and used throughout the cabinet. The carcass is constructed with exposed finger joints. The inset steel drawer pulls reference historical furniture detailing and marry classical elements to the modernist design. Each of these are painstakingly inset with four counter-sunk screws.\u003c\/p\u003e\n\u003cp\u003eThe partnership between Heritage and Archie Shine began in the late 1950’s and continued through the 1960s. The designs by Robert Heritage embraced traditional elements though were thoroughly modern in proportion and detailing. Heritage favoured bold dimensions with long sleek outlines for his cabinets. This was in contrast to most other UK-based designers and manufacturers of the period.\u003c\/p\u003e\n\u003cp\u003eThis cabinet reflects the very best of British cabinet making and the marriage of bold materials within a carefully considered design.\u003c\/p\u003e\n\u003cp\u003eRobert Heritage is largely overlooked as a designer. He was awarded more COID (Council Of Industrial Design) design awards by the Design Council than any other British designer in the 20th Century. His worked extended from industrial products, to lighting and to furniture for the QE2. Heritage was acknowledged as Royal Designer for Industry, awarded a CBE and was professor of furniture at the Royal College of Art.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 213w x 46d x 73cmh\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668366447,"sku":"991016","price":3950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Heritage-cabinet-01_0.jpg?v=1571711856"},{"product_id":"danish-chest-of-drawers-1970","title":"Danish chest of drawers | 1970","description":"\u003cp\u003eDanish chest of drawers, unattributed design c. 1970\u003c\/p\u003e\n\u003cp\u003eChest of drawers constructed in solid and veneered rosewood. The routed drawer fronts and radiused corner profiles combine to create a distinctive character to the design. Overall the simple, functionalist design captures the spirit of a mid-1970s sensibility toward softer, rounded profiles.\u003c\/p\u003e\n\u003cp\u003eThe designer and manufacturer is unknown, though a Danish Furniture Control label is adhered to the back of the chest.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 92w x 46d x 70cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668399215,"sku":"991013","price":750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Drawer-unit-01_0.jpg?v=1571711856"},{"product_id":"robin-day-stickback-sofa-1950","title":"Robin Day | Stickback sofa | 1950","description":"\u003cp\u003e\u003cstrong\u003e‘Stickback’ sofa\u003c\/strong\u003e by \u003cstrong\u003eRobin Day \u003c\/strong\u003efor\u003cstrong\u003e Hille,\u003cspan\u003e \u003c\/span\u003e1950\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Stickback sofa is an extremely rare and early design by Robin Day. The design paid reference to a British vernacular of comb-back furniture originating in the vicinity of High Wycombe. Robin Day intended to utilise the skills of craftsman that worked at Hille making reproduction furniture. The exposed frame is constructed in beech with sycamore spindles. The structure embraces both carved and machined elements within a restrained, yet modernist outline.\u003c\/p\u003e\n\u003cp\u003eThe Stickback was exhibited at Furniture Trades Exhibition in Earls Court in 1951 and following this illustrated in the Architect’s Journal. It is shown alongside Day’s first design for Hille, a dining group from 1949, and marked the beginning of a long fruitful partnership with Hille and its transition into a producer of contemporary furniture design.\u003c\/p\u003e\n\u003cp\u003eIt is understood that the generous scale and dynamic frame of the Stickback did not suit a fledgeling market for contemporary design and very few pieces were made.  The Stickback is a scarce and historically important design that provides high comfort levels, whilst offering a quite unique overall character. \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668431983,"sku":"751","price":3500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/sofa-01.jpg?v=1571711856"},{"product_id":"robin-day-hillestak-desk-1950","title":"Robin Day | Hillestak desk | 1950","description":"\u003cp\u003eA rare and early Hillestak desk. This example is constructed with an exotic and decorative hardwood veneer to the table top. The solid beech lipping and leg structure are standard, however the suspended drawer unit is quite different to documented examples. The use of solid and veneered hardwood for drawer pulls and carcass contrast strongly with the beech drawer-fronts. The later production for the drawer unit tended to be all-beech and with recessed drawer pulls that married with the Hilleplan range of 1952. This variant expresses a very strong dynamic with figured top and two-tone drawer-set.\u003c\/p\u003e\n\u003cp\u003eThe Hillestak family was developed from the desire for Hille to supply a cost-effective, plywood dining chair. The stacking chair proved to be a commercial success and alongside the chair came a table and a desk. The desk was focussed towards a residential market and sold in much smaller quantities than the stacking table and multipurpose chair.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 130w x 61d x 71cmh\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668530287,"sku":"991017","price":2200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Hillestak_01.jpg?v=1571711856"},{"product_id":"bodil-kjaer-drawer-unit-1959","title":"Bodil Kjaer | drawer unit  | 1959","description":"\u003cp\u003eBodil Kjaer, drawer unit 1959\u003c\/p\u003e\n\u003cp\u003eThe drawer unit was designed alongside the seminal desk by Bodil Kjer. The desk and storage elements were produced by E. Pederson \u0026amp; Sons, Denmark through the 1960s and created some notoriety when featured in From Russia with Love and with celebrity owners including Michale Caine and Prine Phillip.\u003c\/p\u003e\n\u003cp\u003eThe design was restrained but bold, with strict, box-like carcass and inset drawers. Using selected rosewood veneers, the drawer set is austerely modernist, yet a decorative and functional piece of furniture.\u003c\/p\u003e\n\u003cp\u003eBodil Kjaer trained as an architect at the AA in London, afterwards working for Arup and setting up studios both Copenhagen and London. She designed furniture for interior projects when she couldn’t find suitable options. \"I often ran into problems of finding furniture that would express the same form-ideas as those we employed in the buildings we designed and which would, at the same time, express the ideas of contemporary management. The office furniture I found on the market in 1959, I found to be clumsy and confining, while neither the new architecture nor the new management thinking was the least bit clumsy or confining.”\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 44w x 61d x 48cmh\u003cbr\u003e  \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668595823,"sku":"S1","price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/storage_unit_01.jpg?v=1571711856"},{"product_id":"mogensen-j39-set-of-6-1947","title":"Mogensen | J39 set of 6 | 1947","description":"\u003cp\u003eThe J39 chair was designed in 1947 and conceived to be a simple and everyday design.\u003c\/p\u003e\n\u003cp\u003eIntended for domestic use as much as for churches and institutions, the chair became affectionately known as the ‘People’s Chair’. The construction of vertical and horizontal wooden dowels is softened with curved plywood back and hand-woven seat. As head of design for Danish Cooperative FDB, the versatile design formed part of a directive for endorsing modernist design through accessibility. Mogensen set up his own studio in 1950 and the F39 design was later produced by Fredericia.\u003c\/p\u003e\n\u003cp\u003eMogensen trained under Kaare Klint at the Royal Danish Academy of Fine Arts. The principle of simple and functional design echoes in his prolific output over an influential career. Seen as one of the most important furniture designers of the twentieth century, much of his work continues to be produced.\u003c\/p\u003e\n\u003cp\u003eSet of six chairs in oak.\u003cbr\u003e Original production retailed through FDB.\u003cbr\u003e Patina to frames and some marks to woven seat\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 48w x 40d x 44\/75cmh\u003cbr\u003e  \u003c\/p\u003e","brand":"FDB","offers":[{"title":"Default Title","offer_id":20769668628591,"sku":"991021","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/wegner_chair_01.jpg?v=1571711856"},{"product_id":"kjaerholm-pk22","title":"Kjaerholm | PK22","description":"\u003cp\u003eThe PK22 is considered to be Kjaerholm’s seminal work. Designed in 1956, it was an immediate critical and commercial success. It was awarded the Grand Prix at the Milan Triennale in 1957.\u003c\/p\u003e\n\u003cp\u003eThe design encapsulates Kjaerholm’s acclaimed design ability. The reduced and minimal frame is separated into components for ease of production The seat and back are wrapped in an envelope of leather to provide comfort despite the fine profile. The PK22 demonstrates an acute attention to detail and is respected as a design of great elegance.\u003c\/p\u003e\n\u003cp\u003eThe chairs offered are Fritz Hansen productions.\u003cbr\u003e The price is per chair.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 63w x 66d x 35\/70cmh\u003cbr\u003e  \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668759663,"sku":"991024","price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/kjaerholm_01_32624159-1f9f-4c3b-8854-ffb3cbab0c9f.jpg?v=1571711857"},{"product_id":"marco-zanuso-sofa","title":"Marco Zanuso | sofa","description":"\u003cp\u003e\u003cstrong\u003eSofa\u003c\/strong\u003e designed by \u003cstrong\u003eMarco Zanuso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRare sofa from 1950 that formed part of a revolutionary series of designs commissioned by Pirelli. Utilising elasticated webbing and cast foam, Zanuso changed the construction and appearance of modern seating. The profile offers lumbar support and with a high back and sculpted seat, the comfort levels are extremely high. The freedom to move away from an internal timber frame and coiled springs allowed for expressive shapes and a lightweight leg structure lifting the whole sofa on fine legs. The arm profiles are heavily influenced by fine-art, capturing the sculptural work of Calder and Arp.\u003c\/p\u003e\n\u003cp\u003eAlongside this design, Zanuso also launched the Lady armchair which went on to be awarded first prize in the 1951 Milan Triennale.\u003c\/p\u003e\n\u003cp\u003eMarco Zanuso opened his design studio in Milan in 1945. he worked as editor of Domus magazine from 1947-49 and as professor of architecture and design at Politecnico di Milano for nearly 30 years. Zanuso was instrumental in the development of post-war Italian design to its world-leading position. His work is represented in most leading museum collections.\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668825199,"sku":"S2","price":4650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/vintage_sofa_01.jpg?v=1571711857"},{"product_id":"marcel-breuer-longchair-1936","title":"Marcel Breuer | Longchair | 1936","description":"\u003cp\u003eThe Isokon Longchair was a development of an earlier design by Marcel Breuer realised with an aluminium frame in 1932. The all-plywood Longchair for Isokon is argued to be a more successful design through harmonius use of material and the modernist realisation of plywood in furniture design.\u003c\/p\u003e\n\u003cp\u003eThe chair offered in a recent production by \u003ca href=\"http:\/\/twentytwentyone.com\/manufacturer\/isokon-plus\"\u003eIsokon Plus\u003c\/a\u003e, that has accrued some colour and patina through time.\u003c\/p\u003e\n\u003cp\u003eIsokon was founded by the visionary modernist Jack Pritchard. Bauhaus emigres Walter Gropius and Marcel Breuer were its Controller and designer respectively.\u003c\/p\u003e\n\u003cp\u003eOther designers worked for Isokon, however its was Breuer’s Longchair and tables that established an international reputation for the company. The influence of Alvar Aalto’s work in Finland is clear, throughout the company’s philosophy and the designs created by Breuer. The appeal for soft curves and the warmth of wood appealed to the British customer, over the harder, colder European modernism in tubular steel.\u003c\/p\u003e\n\u003cp\u003eThe Longchair is present in the V\u0026amp;A and other major museum collections.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 135w x 60d x 85cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769668989039,"sku":"991046","price":950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Breuer_longchair_01.jpg?v=1571711857"},{"product_id":"bertoia-large-diamond-chair-1952","title":"Large Bertoia Diamond Chair | 1952","description":"\u003cp\u003e\u003cstrong\u003eBertoia Large Diamond armchair\u003c\/strong\u003e by \u003cstrong\u003eHarry Bertoia\u003c\/strong\u003e for \u003cstrong\u003eKnoll\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe Large Diamond chair is considered Bertoia’s most refined and sculptural creation within his family of wire chairs designed for Knoll International. The flared, expansive seat floats elegantly within the frame. The seat is far larger than the Diamond chair. It differs further in that it is raised on rubber mounts that provide visual separation from the base. The rubber bushes also provide high comfort levels through flexibility and movement. The generous dimensions allow for multiple seating positions for the user.\u003c\/p\u003e\n\u003cp\u003eHarry Bertoia’s work as a sculptor was translated into furniture design in the early 1950’s with a range of seating that exploited bent and welded steel rods.\u003cbr\u003e “If you look at these chairs, they are mainly made of air, like sculpture. Space passes through them”. Knoll International has produced the series continuously since 1952.\u003c\/p\u003e\n\u003cp\u003eThe Large Diamond offered is probably dates from the mid 1960’s. It retains its original white ‘Rislan’ finish with original seat pad.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669054575,"sku":"991031","price":1100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/bertoia_diamond_01.jpg?v=1571711857"},{"product_id":"day-status-desk-1959","title":"Day | Status desk | 1959","description":"\u003cp\u003eStatus desk Hille 1959.\u003c\/p\u003e\n\u003cp\u003eThe Status range was a comprehensive range of desks, cabinets and bookcases. Its was envisaged that designs would work singularly for homes and offices, or together as a system for commercial interiors. The designs were strictly modern in appearance, with softer concessions made using decorative hardwood veneers.\u003c\/p\u003e\n\u003cp\u003eThe example offered is a smaller, domestic-scale single pedestal desk with mahogany veneered drawer pedestal.\u003c\/p\u003e\n\u003cp\u003eThe modernist design provides an enduring aesthetic and functionality.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 137w x 69d x 74cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669120111,"sku":"790","price":950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Status_desk_01.jpg?v=1571711857"},{"product_id":"race-da1-armchair-1946","title":"Race | DA1 armchair | 1946","description":"\u003cp\u003eErnest Race used a welded steel-rod frame to create an elegant and organic form.\u003c\/p\u003e\n\u003cp\u003eThe innovative use of a steel-rod structure provided for sinuous and visually lightweight design, based on the shape of a classic wing chair. The design of the DA series was in stark contrast with the bulky and heavy forms available in late 1940s and early 1950’s.\u003c\/p\u003e\n\u003cp\u003eRace is best known for his iconic design for the Festival of Britain in 1951, the Antelope chair. The exposed frame is in essence a stripped down version of his DA series of upholstered chairs and sofas from the late 1940’s.\u003c\/p\u003e\n\u003cp\u003eErnest Race practiced both furniture and textile design. His understanding of materials and processes allowed for a diverse output of furniture in aluminium, steel, plywood and upholstery. Race was widely awarded for his designs during his short career and his historically important work appears in museum collections worldwide.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 66w x 92d x 43\/100cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669152879,"sku":"991040","price":2700.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Race_armchair_01_0.jpg?v=1571711857"},{"product_id":"wegner-pair-of-ch25-1965","title":"Wegner | pair of CH25 | 1965","description":"\u003cp\u003eThe CH25 is one of Wegner’s earliest designs and demonstrates his affinity toward timber with the entire frame constructed in carved and turned wood. The enduring design has been in continuous production since 1949.\u003c\/p\u003e\n\u003cp\u003eThe pair of armchairs offered are dated 1965 and the oak frames have accrued a deep, warm colour. The papercord seat\/back remains original.\u003c\/p\u003e\n\u003cp\u003eThe hand woven seat\/back uses over 400m of natural papercord and married with the rake of seat and wide armrests the design provides the sitter with high comfort levels.\u003c\/p\u003e\n\u003cp\u003eHans Wegner’s career began in the offices of Arne Jacobsen in 1938. He established his own practice in 1943 and was quickly recognised through his Round chair of 1949, later known as The Chair. His prolific career generated more than 500 chair designs. Wegner created several landmark designs for seating and much of his work is held in museum collections and still in production.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cp\u003e70w x 72d x 39\/73cmh\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669185647,"sku":"991045","price":3600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Hans_Wegner_chair25_01.jpg?v=1571711857"},{"product_id":"nelson-catenary-chair","title":"Nelson | Catenary chair","description":"\u003cp\u003eGeorge Nelson Catenary chair. Produced by Herman Miller 1963-1968\u003c\/p\u003e\n\u003cp\u003eInspired by the architectural work of his friend Buckminster Fuller, George Nelson created a chair and coffee table that ignored traditional leg structures. The Catenary seat appears slung and weightless within a structure of steel rods. The seat pads are upholstered in (original) black vinyl and backed with pressed steel panels. This structure is suspended within the cross-braced supporting base construction.\u003c\/p\u003e\n\u003cp\u003eThe Catenary is a complex design that indicates an originality and elegance common to Nelson’s designs. Being highly priced at the time of production, the Catenary was only made in small quantities and discontinued five years later.\u003c\/p\u003e\n\u003cp\u003eGeorge Nelson was a visionary designer and writer. He acted as creative director at Herman Miller and oversaw the keys works by Charles and Ray Eames, Noguchi and Alexander Girard. His own creations reflected his independent spirit, and forged new typographies. Icons such at the Coconut chair and Ball clock still being produced.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 75w x 70d x 42\/70cmh\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669218415,"sku":"481","price":1100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Catenary_01.jpg?v=1571711857"},{"product_id":"panton-wire-stools-1959","title":"Panton | Wire stools | 1959","description":"\u003cp\u003eVerner Panton ‘Wire Collection’ stools c. 1959\u003c\/p\u003e\n\u003cp\u003eVerner Panton’s exploration of materials and form demonstrated his unique abilities as a designer. His quest to create new furniture with minimal structure is clear through the Wire Collection. Using fine steel rods he explored transparency within simple modernist forms, such as these cylinder stools. He also produced more avant-garde designs such as the Wire Cone and Peacock.\u003c\/p\u003e\n\u003cp\u003eHis Wire Collection was produced in small quantities by Plus-Linje in Denmark.\u003c\/p\u003e\n\u003cp\u003eThe two stools offered have their original seat covers.\u003c\/p\u003e\n\u003cp\u003eVerner Panton was taught by Poul Henningsen and began his career in Arne Jacobsen’s office. He became an independent designer in the mid-1950’s. He worked successfully on interiors, lighting, furniture and published highly regarded colour theories.  His approach to design was experimental and Panton chose to disregard convention to find new solutions. The landmark Panton chair was conceived in advance of the technology to manufacture the design commercially. This design and several others are now in continuous production and considered landmarks of contemporary design.\u003c\/p\u003e\n\u003cp\u003eSold separately.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 43dia x 37cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669283951,"sku":"0111-S1","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Panton_wire_stool_01.jpg?v=1571711857"},{"product_id":"nelson-swag-leg-chair","title":"Nelson | Swag leg chair","description":"\u003cp\u003eGeorge Nelson, Swag-leg chair, Herman Miller\u003c\/p\u003e\n\u003cp\u003eGeorge Nelson adopted moulded fibreglass as a seat structure to create a highly evocative and sculptural armchair. Balanced upon an elegant tapered ‘swag’ leg, the complex form provides a high level of comfort utilising modern technology.\u003c\/p\u003e\n\u003cp\u003eThe two-part seat and fine leg structure created a higher price point and was aimed at a different market than that of the Eames’ fibreglass seating series. The chair did however use the sample rubber fixing mounts that Eames introduced to the groundbreaking fiberglass chairs. Nelson created a desk and table range to accompany the chair utilizing the same swag-tubular base.\u003c\/p\u003e\n\u003cp\u003eGeorge Nelson was a visionary designer and writer. He acted as creative director at Herman Miller and oversaw the keys works by Charles and Ray Eames, Noguchi and Alexander Girard. His own creations reflected his independent spirit, and forged new typographies. Icons such at the Coconut chair and Ball clock still being produced.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 72w x 61d x 41\/70cmh\u003cbr\u003e  \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669382255,"sku":"327","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Swag_leg_01.jpg?v=1571711857"},{"product_id":"wegner-j16-rocking-chair-1944","title":"Wegner | J16 rocking chair | 1944","description":"\u003cp\u003eThe J16 Rocking chair was designed in 1944 and references early Windsor rocking chairs made in Britain from the 1750’s. The design is reconfigured into a more generous contemporary scale and with ergonomic considerations. The high back creates an elegant presence whilst maintaining a timeless quality. Wegner’s masterful attention to construction and detailing is clearly evident throughout the chair’s frame. The woven paper yarn seat provides a rustic and handcrafted feel to the design.\u003c\/p\u003e\n\u003cp\u003eHans Wegner’s career began in the offices of Arne Jacobsen in 1938. He established his own practice in 1943 and was quickly recognised through his Round chair of 1949, later known as The Chair. His prolific career generated more than 500 chair designs. Wegner created several landmark designs for seating and much of his work is held in museum collections and still in production.\u003c\/p\u003e\n\u003cp\u003eFrame in Beech\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 63w x 93d x 42\/107cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669447791,"sku":"991026","price":950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/wegner_rocking_chair_01.jpg?v=1571711857"},{"product_id":"race-da4-sofa-1947","title":"Race | DA4 sofa | 1946","description":"\u003cp\u003e\u003cstrong\u003eDA4 sofa\u003c\/strong\u003e designed by \u003cstrong\u003eErnest Race\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe innovative use of a steel-rod structure provided for a sinuous and visually lightweight design. The design of the DA series was in stark contrast with the bulky and heavy forms available in the late 1940s and early 1950s.\u003c\/p\u003e\n\u003cp\u003eRace is best known for his iconic design for the Festival of Britain in 1951, the Antelope chair. The exposed frame is, in essence, a stripped-down version of his DA series of upholstered chairs and sofas from the late 1940s.\u003c\/p\u003e\n\u003cp\u003eErnest Race practiced both furniture and textile design. His understanding of materials and processes allowed for a diverse output of furniture in aluminium, steel, plywood and upholstery. Race was widely awarded for his designs during his short career and his historically important work appears in museum collections worldwide. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"twentytwentyone","offers":[{"title":"Default Title","offer_id":20769669480559,"sku":"991039","price":3200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/DA4sofa_01_d9a69c4d-48d2-418e-8366-f5b0b068f235.jpg?v=1571711857"},{"product_id":"f-knoll-cabinet-1960","title":"F.Knoll | cabinet | 1960","description":"\u003cp\u003eFlorence Knoll designed a broad range of storage solutions. Her cabinet designs created a new contemporary aesthetic for streamlined and simples cases with plain elevations. The saddle leather pull was used from 1947. Wall mounted and floor standing cabinets were available in various sizes and an extensive range of finishes. The cabinets were strictly minimal in appearance and gestures towards decoration would be specified through lacquered finishes. In keeping with all Knoll productions, the quality of construction is extremely high.\u003c\/p\u003e\n\u003cp\u003eThe simple and timeless design was conceived to work singularly or in series.\u003c\/p\u003e\n\u003cp\u003eFlorence Knoll designed furniture she perceived to be overlooked or was not available in simple formats. Her designs provided enduring solutions for contemporary interiors, with several still in production. Florence and Hans Knoll introduced landmark European and American design to an international marketplace, reissuing prewar classics and commissioning contemporary design.\u003c\/p\u003e\n\u003cp\u003eWalnut veneer, saddle leather pulls\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 91w x 46d x 66cmh\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669546095,"sku":"991041","price":950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Knoll_cabinet_01.jpg?v=1571711857"},{"product_id":"day-interplan-bedside-units-1954","title":"Day | Interplan bedside units | 1954","description":"\u003cp\u003eInterplan was an extensive range of storage units designed around a standard module size. The cabinets worked singularly or as a system. With fourteen modules available, the range offered a new level of flexibility for users.\u003c\/p\u003e\n\u003cp\u003eLaunched at the Milan Triennale in 1954, the range was well received for its timeless and restrained design. It was produced with either rosewood or ash veneered fronts that sat flush with the solid mahogany case. Using brass handles the modernist outline for flat-fronted cabinets proposed a new aesthetic for storage, when many other designs maintained recessed drawer and door fronts.\u003c\/p\u003e\n\u003cp\u003eThe bedside units are rare as they would have been relatively expensive to produce and as such only manufactured in small quantities.\u003c\/p\u003e\n\u003cp\u003eMahogany \/ ash\u003c\/p\u003e\n\u003cp\u003eSold as a pair.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 45w x 46d x 69cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669611631,"sku":"991028","price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Day_interplan_01.jpg?v=1571711857"},{"product_id":"verner-panton-book-1986","title":"Verner Panton book | 1986","description":"\u003cp\u003eVerner Panton, by Niels-Jorgen Kaiser.\u003c\/p\u003e\n\u003cp\u003etwentytwentyone have a small quantity of unused Verner Panton books from the first edition published in 1986. The book was designed with Verner Panton and was launched on his 60th birthday. This was the first overview of his work. It includes interviews and imagery from Panton’s archive. The hole through the cover was to carry and hang the book. It is a numbered edition of 10,000. A second edition of 5,000 was published in 1998 and also sold out.\u003c\/p\u003e\n\u003cp\u003e30x30cm\u003c\/p\u003e\n\u003cp\u003e76pp\u003c\/p\u003e\n\u003cp\u003eISBN 87-982146-1-6\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669677167,"sku":"Panton-book-991075","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Panton_book_01_0.jpg?v=1571711857"},{"product_id":"panton-circle-wall-panel-1969","title":"Panton | Circle wall panel | 1969","description":"\u003cp\u003eVerner Panton, 'Circle' Mira-X wall panel 1969\u003c\/p\u003e\n\u003cp\u003ePanton’s work always relied on colour. He once stated ‘Colour is more important than form’, though it was always a marriage within his interiors, furniture and lighting and he also said; ‘one sits more comfortably on a colour one likes.’\u003c\/p\u003e\n\u003cp\u003ePanton developed a well respected colour theory during his career. He working extensively on textile and carpet designs. His relationship with the Swiss company Mira-X from late 1960’s through to the early 1980’s provided for many influential pattern and colour designs.\u003c\/p\u003e\n\u003cp\u003eThe panels offered are factory produced stretchers used to illustrate single repeats of textile designs. As with many of Pantons textile designs the patterns were often produced in opposing, optical colourways.\u003c\/p\u003e\n\u003cp\u003eVerner Panton was taught by Poul Henningsen and began his career in Arne Jacobsen’s office. He became an independent designer in the mid-1950’s. He worked successfully on interiors, lighting, furniture and published highly regarded colour theories.  His approach to design was experimental and Panton chose to disregard convention to find new solutions. The landmark Panton chair was conceived in advance of the technology to manufacture the design commercially. This design and several others are now in continuous production and considered landmarks of contemporary design.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 111w x 114cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669709935,"sku":"Panton-Circle-wall panel-S1","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Panton_panel_round_mira_01.jpg?v=1571711857"},{"product_id":"panton-square-wall-panel-1969","title":"Panton | Square wall panel | 1969","description":"\u003cp\u003eVerner Panton, 'Square' Mira-X wall panel 1969\u003c\/p\u003e\n\u003cp\u003ePanton’s work always relied on colour. He once stated ‘Colour is more important than form’, though it was always a marriage within his interiors, furniture and lighting and he also said; ‘one sits more comfortably on a colour one likes.’\u003c\/p\u003e\n\u003cp\u003ePanton developed a well respected colour theory during his career. He working extensively on textile and carpet designs. His relationship with the Swiss company Mira-X from late 1960’s through to the early 1980’s provided for many influential pattern and colour designs.\u003c\/p\u003e\n\u003cp\u003eThe panels offered are factory produced stretchers used to illustrate single repeats of textile designs. As with many of Pantons textile designs the patterns were often produced in opposing, optical colourways.\u003c\/p\u003e\n\u003cp\u003eVerner Panton was taught by Poul Henningsen and began his career in Arne Jacobsen’s office. He became an independent designer in the mid-1950’s. He worked successfully on interiors, lighting, furniture and published highly regarded colour theories.  His approach to design was experimental and Panton chose to disregard convention to find new solutions. The landmark Panton chair was conceived in advance of the technology to manufacture the design commercially. This design and several others are now in continuous production and considered landmarks of contemporary design.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 111w x 114cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669742703,"sku":"Panton-Square-wall panel-S1","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Panton_panel_square_mira_01.jpg?v=1571711857"},{"product_id":"panton-onion-wall-panel-1976","title":"Panton | Onion wall panel | 1976","description":"\u003cp\u003eVerner Panton, ‘Onion’ Mira-X wall panel 1976\u003c\/p\u003e\n\u003cp\u003ePanton’s work always relied on colour. He once stated ‘Colour is more important than form’, though it was always a marriage within his interiors, furniture and lighting and he also said; ‘one sits more comfortably on a colour one likes.’\u003c\/p\u003e\n\u003cp\u003ePanton developed a well respected colour theory during his career. He working extensively on textile and carpet designs. His relationship with the Swiss company Mira-X from late 1960’s through to the early 1980’s provided for many influential pattern and colour designs.\u003c\/p\u003e\n\u003cp\u003eThe panels offered are factory produced stretchers used to illustrate single repeats of textile designs. As with many of Pantons textile designs the patterns were often produced in opposing, optical colourways.\u003c\/p\u003e\n\u003cp\u003eVerner Panton was taught by Poul Henningsen and began his career in Arne Jacobsen’s office. He became an independent designer in the mid-1950’s. He worked successfully on interiors, lighting, furniture and published highly regarded colour theories.  His approach to design was experimental and Panton chose to disregard convention to find new solutions. The landmark Panton chair was conceived in advance of the technology to manufacture the design commercially. This design and several others are now in continuous production and considered landmarks of contemporary design.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 111w x 114cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669775471,"sku":"Panton-Onion-wall panel-S1","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Panton_panel_onion_mira_01.jpg?v=1571711857"},{"product_id":"wegner-set-of-four-ch23-1951","title":"Wegner | set of four CH23 | 1951","description":"\u003cp\u003eThe design for Wegner’s CH23 chair employs a cabinet-maker’s attention to structural detailing. The exposed joint through the back-rest is both functional and decorative. Similar construction is used in several other Wegner designs. The teak veneer to the backrest further expresses the detail in contrast with the oak frame. The papercord seat is wrapped around a highly positioned stretcher to add solidity to the seat and reduce the visual clutter of stretchers between legs.\u003c\/p\u003e\n\u003cp\u003eThe CH23 is no longer in production.\u003c\/p\u003e\n\u003cp\u003eHans Wegner’s career began in the offices of Arne Jacobsen in 1938. He established his own practice in 1943 and was quickly recognised through his 1949 Round chair of 1949, later known as The Chair. His prolific career generated more than 500 chair designs. Wegner created several landmark designs for seating and much of his work is held in museum collections and still in production.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669808239,"sku":"991043","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Wegner_CH23_01.jpg?v=1571711857"},{"product_id":"karuselli-chair-1964","title":"Karuselli chair | 1964","description":"\u003cp\u003eThe iconic Karuselli chair was designed in 1964 and has been in almost continuous production ever since. Kukkopuro applied ergonomic theories to provide high comfort levels for the user. The fibreglass shell reflects the human form. The seat is cradled within a sprung-steel frame that allows a swivelling and rocking motion. The leather upholstery is pattern cut to hug the internal form. Available with white or black shell and various leather colours, the Karuselli was quickly recognised as a design classic.\u003c\/p\u003e\n\u003cp\u003eThe chair offered is an Avarte production. \u003c\/p\u003e\n\u003cp\u003eProfessor Kukkopura was acknowledged as Honorary Royal Designer for Industry in 2002 and he has been awarded prizes internationally. His work is represented in the V\u0026amp;A, MOMA and Vitra Design Museum. He began his career working for Ilmari Tapiovaara and went on to become a central figure in Finnish Functionalism. His research into ergonomic design is highly respected.\u003c\/p\u003e\n\u003cp\u003e“Does it make any sense to design a chair which is not good to sit on?”\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 80w x 97.5d x 37\/92cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669841007,"sku":"991036","price":1950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Karuselli_chair_01.jpg?v=1571711857"},{"product_id":"marcel-breuer-vitrine-s40-1925","title":"Marcel Breuer vitrine S40 | 1925","description":"\u003cp\u003eThe ash-framed vitrine was originally designed whilst Breuer taught at the Bauhaus. The composition of the two-tone timbers reflect the influence of De Stijl and works by Theo Van Doesberg and Gerrit Reitveld. The skeletal structure is entirely functional, with open glass panes and doors on two elevations. It is also a subtle and artistic exploration of form and space reflecting the designer’s studies during this early period of his career. The design expresses simplicity through two cases stacked at right angles.\u003c\/p\u003e\n\u003cp\u003eWhilst still at the Bauhaus Breuer went on to create a series of ground-breaking tubular steel designs, including the Wassily chair, which cemented his position as one of the most important designers of the 20th Century. Breuer continued his work in the UK and later in USA, his work present in museum collections worldwide.\u003c\/p\u003e\n\u003cp\u003eBeyond his furniture designs, his architecture is highly praised and influential, providing landmark buildings such at the Whitney Museum in New York.\u003c\/p\u003e\n\u003cp\u003eThe cabinet offered is a vintage production by Tecta, authorised by Bauhaus Archiv.\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cbr\u003e 80w x 80d x 165cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769669906543,"sku":"S1","price":1850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Breuer_vitrine_001.jpg?v=1571711857"},{"product_id":"lecorbusier-petit-confort-lc2-1928","title":"LeCorbusier Petit Confort LC2 | 1928","description":"\u003cp\u003eLe Corbusier, Petit Confort LC2, 1928\u003c\/p\u003e\n\u003cp\u003eThe Petit Confort were designed with Charlotte Perriand and Pierre Jeanneret in 1928 as a modernist interpretation of the traditional club chair. The apparently simple concept of exposing the frame to contain the loose cushions and provide the chair structure was revolutionary.\u003c\/p\u003e\n\u003cp\u003eThe design is considered a landmark in furniture design and achieved classic status when the range was relaunched by Cassina in 1965.\u003c\/p\u003e\n\u003cp\u003eLe Corbusier’s career embraced architecture, urban planning, design, writing and painting. He is recognised as one of the pioneers of modern architecture and built throughout Europe, America and India and was highly influential.\u003c\/p\u003e\n\u003cp\u003eThe sofa offered is a Cassina production with age-related patina.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cp\u003e130w x 76d x 48\/67cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769670037615,"sku":"991047","price":1400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Petitconfort_01.jpg?v=1571711857"},{"product_id":"panton-batchelor-chair-1955","title":"Panton | Batchelor chair  | 1955","description":"\u003cp\u003eThe Batchelor chair is an early design from Panton and reflects modernist influences of his previous employer, Arne Jacobsen. The chair is simple with an apparently continuous linear frame in tubular steel. The frame is in fact demountable, as part of an export-sales drive by Fritz Hansen. The Batchelor references the 1927 Tube Frame chair from Gerrit Reitveld. The W-shaped frame and slung seat was an acutely modern and the minimal design aimed at a new youthful, yet affluent market. The chairs were originally available in various colours of army cloth or leather. The range grew to include an armchair, stool and table.\u003c\/p\u003e\n\u003cp\u003eVerner Panton was taught by Poul Henningsen and began his career in Arne Jacobsen’s office. He became an independent designer in the mid-1950’s. He worked successfully on interiors, lighting, furniture and published highly regarded colour theories.  His approach to design was experimental and Panton chose to disregard convention to find new solutions. The landmark Panton chair was conceived in advance of the technology to manufacture the design commercially. Many of his designs are in production and considered landmarks of contemporary design.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 52w x 68d x 38\/73cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769670201455,"sku":"991053","price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/batchelor_01.jpg?v=1571711857"},{"product_id":"day-interplan-chest-1954","title":"Day | Interplan chest | 1954","description":"\u003cp\u003eRobin Day, Interplan chest of drawers (Unit P) 1954, Hille\u003c\/p\u003e\n\u003cp\u003eInterplan was an extensive range of storage units designed around a standard module size. The cabinets worked singularly or as a system. With fourteen modules available, the range offered a new level of flexibility for users.\u003c\/p\u003e\n\u003cp\u003eLaunched at the Milan Triennale in 1954, the range was well received for its timeless and restrained design.It was produced with either rosewood or ash veneered fronts that sat flush with the solid mahogany case. Using brass handles the modernist outline for flat-fronted cabinets proposed a new aesthetic for storage, when many other designs maintained recessed drawer and door fronts. The specification of rosewood for the drawer fronts was extremely rare and reflected a higher cost price.\u003c\/p\u003e\n\u003cp\u003eRobin Day is Britain’s most renowned furniture designer. Having won the Museum of Modern Art’s Low Cost Furniture Competition in 1948, he went on to design an exceptional and respected cross-section of furniture in a career spanning more than 60 years.\u003c\/p\u003e\n\u003cp\u003eAn acute understanding of materials and manufacturing processes, aligned with progressive design skills allowed for landmarks in the history of furniture design. His polypropylene seating is acknowledged as the world’s best selling chair. Robin Day’s achievements are not restricted to furniture and his industrial designs, exhibitions, graphics and interiors are highly respected for individual flair and modernist sensibilities. Alongside his wife, textile designer Lucienne Day, the couple are revered and acknowledged for introducing contemporary design to Britain. \u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003e 92w x 46d x 69cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769670266991,"sku":"991038","price":1500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/InterplanChest_01.jpg?v=1571711857"},{"product_id":"day-hilleplan-dresser-1952","title":"Day | Hilleplan dresser | 1952","description":"\u003cp\u003eRobin Day Hilleplan dresser from 1952.\u003c\/p\u003e\n\u003cp\u003eRare 6-drawer dresser with cheval mirror.  The twin pedestal unit does not appear in Hille catalogues for the range and probably a bespoke design. The design provides a high storage capacity. The drawer fronts finished in walnut veneer contrasting with the case. The full-height mirror is hung between the units and a black vitrolite glass shelf bridges the two. A highly functional design providing his\/hers storage and a generous scale of mirror.\u003c\/p\u003e\n\u003cp\u003eThe Hilleplan range was designed in 1952 and based around an 18inch module. It was Robin Day’s first storage system that reached production following his award-winning design for MOMA.\u003c\/p\u003e\n\u003cp\u003eThe Hilleplan range of units were designed to offer users flexibility and to work singularly, or as part of a system. It was quite different to anything else in the market at the time.\u003c\/p\u003e\n\u003cp\u003eThe cabinets and drawer sets were produced with an Agbar carcass and a selection of different veneered fronts could be specified. The simple cut-out drawer-pull and turned leg create a restrained modernist aesthetic.\u003c\/p\u003e\n\u003cp\u003eRobin Day went to design several other storage systems that anticipated the demand for flexible needs in both domestic and commercial interiors.\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cbr\u003e 141w x 45d x 140cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769670299759,"sku":"991060","price":1450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Robin_Day_Hilleplan_dresser_01_0.jpg?v=1571711858"},{"product_id":"day-675-chair","title":"Day | 675 chair","description":"\u003cp\u003eThe 675 chair forms part of a seminal series of Robin Day chair designs. Created as a progression to the trio of seats designed for the Royal Festival Hall, the 675 is considered the most successful of this family. It was designed to supersede the smaller 661 armchair used at the Festival Hall. The more generous scale and structural integrity made it immediately successful.\u003c\/p\u003e\n\u003cp\u003eThe 675 shares the same highly sculptural ‘floating’ plywood back and armrest as the Festival Hall group. The fine gauge stove-enamelled frame clearly defines the structure of this design, as it did throughout this range of designs, and similarly in the Reclining chair.\u003c\/p\u003e\n\u003cp\u003eThe longevity of the design was recognised by Tom Dixon when selected to be reproduced by Habitat in early 2000.\u003c\/p\u003e\n\u003cp\u003eThe chair offered is the earliest generation of this design with solid steel rod frame, welded foot plates and brass screws. Despite its success, the early chairs are extremely scarce.\u003cbr\u003e The seat has been reupholstered relatively recently in dark grey wool.\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cbr\u003e 64w x 52d x 43\/79cmh\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769670398063,"sku":"991059","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Day_675_991059_01.jpg?v=1571711858"},{"product_id":"robin-day-hilleplan-desk-1953","title":"Robin Day Hilleplan desk  | 1952","description":"\u003cp\u003eThe Hilleplan family of case furniture extended to embrace desking as well as freestanding cabinets.\u003c\/p\u003e\n\u003cp\u003eThe Junior desk had a single drawer pedestal in contrast to Senior with twin pedestals. The striking design employs a cantilevered top, its surface finished with inset linoleum. The stove-enamelled frame is strictly minimal in construction and dimension with contrasting aluminium alloy foot-rail.The mahogany carcass also distinguished against the blond ash veneered drawer fronts. This example uses brass handles rather than the cut-out handles more widely used in the Hilleplan ranges.\u003c\/p\u003e\n\u003cp\u003eThe Hilleplan range was designed in 1952 and based around an 18inch module. It was Robin Day’s first storage system that reached production following his award-winning design for MOMA.\u003c\/p\u003e\n\u003cp\u003eThe Hilleplan range of units were designed to offer users flexibility and to work singularly, or as part of a system. It was quite different to anything else in the market at the time.\u003c\/p\u003e\n\u003cp\u003eRobin Day went to design several other storage systems that anticipated the demand for flexible needs in both domestic and commercial interiors.\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cbr\u003e 122w x 62d x 74cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769670463599,"sku":"991062","price":1950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Hilleplan_vintage_01_4548beea-23cf-4888-a528-dfdb2ce59c5d.jpg?v=1571711858"},{"product_id":"eero-saarinen-tulip-table","title":"Eero Saarinen Tulip table | 1953","description":"\u003cp\u003eEero Saarinen created his award winning design in 1953 after lengthy research into finding a means to engineer the unity of pedestal and top.\u003c\/p\u003e\n\u003cp\u003eThe desire to address the ‘slum of legs’ beneath tables was fulfilled with the elegant Tulip series of tables and chairs.\u003c\/p\u003e\n\u003cp\u003eThe example offered is a rare Knoll production in Travertine marble. The highly figured stone is a form of limestone created in geothermal springs. Knoll very briefly produced the Tulip table in Travertine but scarcity of supply meant it was withdrawn almost immediately.\u003c\/p\u003e\n\u003cp\u003eDimensions:\u003cbr\u003e 107dia x 72cmh\u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769670561903,"sku":"KNI-173TRTSS2","price":4272.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Table_01.jpg?v=1571711858"},{"product_id":"eames-wire-mesh-chair-1951","title":"Eames Wire Mesh chair | 1951","description":"\u003cp\u003eWire Mesh chair, designed by Charles and Ray Eames in 1952 for Herman Miller.\u003c\/p\u003e\n\u003cp\u003eThe Eames office created a catalogue of landmark seating designs that married creative innovation with industrial production. The formed wire mesh chair was one such design. It was envisaged whilst production of the fibreglass seating was underway. The same seat shape and variety of base options were used. The method of joining the steel rods was based on resistance-welding technique, already used on their LTR and Eiffel bases.\u003c\/p\u003e\n\u003cp\u003eThe chair was available with detachable upholstered pads, either fully covering the seat or a two-piece shaped pad. The extensive base options married with renewable upholstery ensured for a wide variety of applications.\u003c\/p\u003e\n\u003cp\u003eAlthough other metal mesh chairs had been made, the Eames design was lighter in weight through spacing of structural members. The design proved more versatile with the numerous base and upholstery options and the wire chair soon became an iconic image associated with the Eames design studio.\u003c\/p\u003e\n\u003cp\u003eThe chair offered is from the first production period with early Eiffel Tower base and original tweed ‘bikini’ cover.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Herman Miller","offers":[{"title":"Default Title","offer_id":20769670594671,"sku":"991066","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Vintage_eamesmeshchair_01_1.jpg?v=1571711858"},{"product_id":"robin-day-forum-armchairs-1964","title":"Robin Day Forum armchairs | 1964","description":"\u003cp\u003eSet of two Forum armchairs, designed by Robin Day in 1964 for Hille.\u003c\/p\u003e\n\u003cp\u003eThe Forum expresses an overtly luxurious feel with a strong architectural aesthetic. Robin Day followed principles forged by Le Corbusier with an exposed external structure that contained and supported the soft seating within.\u003c\/p\u003e\n\u003cp\u003eUsing rosewood panels supported on chromed steel pillars, the construction was clearly defined and continued a theme seen in many of Day’s earlier designs. The rosewood frame was joined through expressive comb-joints and the loose cushions upholstered in leather.\u003c\/p\u003e\n\u003cp\u003eBy exposing the frame and finishing this structure in a decorative manner, the design challenged traditional furniture typologies where furniture was fully upholstered. The strict rectilinear frame was generously proportioned offering high levels of comfort.\u003c\/p\u003e\n\u003cp\u003eThe Forum utilised expensive materials and production costs were high. Although the design was aimed at both commercial and domestic environments, the price meant it was outside the budget for most homes. As such examples from the original Hille production are rare and few are known to exist.\u003c\/p\u003e\n\u003cp\u003e(see Christies Sale 1152, Lot 1 and 2)\u003c\/p\u003e\n\u003cp\u003eIn 2000 Habitat reintroduced the Forum, under the guidance of Tom Dixon and with re-engineered materials and processes.\u003c\/p\u003e","brand":"Hille","offers":[{"title":"Default Title","offer_id":20769670627439,"sku":"991049","price":4200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/products\/Vintage_Forum_01_0.jpg?v=1571711858"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0032\/4966\/8207\/collections\/vintage-archive--0819.jpg?v=1564841897","url":"https:\/\/www.twentytwentyone.com\/collections\/vintage-archive.oembed?page=10","provider":"twentytwentyone","version":"1.0","type":"link"}