The 20/21 Journal

We welcome the arrival of Another Country’s Series Three collection this month.

twentytwentyone are proud to launch two exclusive designs in collaboration with Wallace and Sewell. 

twentytwentyone visited the annual Stockholm furniture fair at the beginning of the month. Above are some edited highlights of our trip. More can be viewed here.

Barber Osgerby’s new show ‘In The Making’ is opening today at The Design Museum, London. 

The term Brutalism was derived from the French ‘Béton brut’, or raw concrete, and the expression became associated with a movement emerging in postwar British architectural offices. 

The Stendig calendar was designed in 1966 by Massimo Vignelli and taken that year into the Design collection of the Museum of Modern Art in New York.

Philip Pearce established Shanagarry Pottery in 1952 and produced hand-thrown earthenware at a time when decorated bone china was commercial. 

Vitra welcome Artek as a new member of the Vitra Family

Geoffrey Fisher's hooks have been well received and to extend the family he’s made sling shots as an exclusive for twentytwentyone. 

Simon Phipp's photography provides a unique perspective and portrays Brutalist architecture in a sensitive, realistic and distinctive manner. 

We have returned from our annual pilgrimage to the Milan Furniture Fair. Inspired and enlightened.

Richard Schultz is no stranger to Knoll. He worked with Harry Bertoia during the development of Bertoia’s iconic collection of wire chairs. 

It is with great sadness we acknowledge the death of James Irvine. twentytwentyone had the great pleasure and honour to know and work with James. 

The Stool 60 was first introduced to the international public at the “Wood Only” exhibition in London in 1933, to rave reviews. 

Tim Fishlock Typeseat print, signed screenprint in an edition of 300.