The 20/21 Journal

The term Brutalism was derived from the French ‘Béton brut’, or raw concrete, and the expression became associated with a movement emerging in postwar British architectural offices. 

The Stendig calendar was designed in 1966 by Massimo Vignelli and taken that year into the Design collection of the Museum of Modern Art in New York.

Philip Pearce established Shanagarry Pottery in 1952 and produced hand-thrown earthenware at a time when decorated bone china was commercial. 

Vitra welcome Artek as a new member of the Vitra Family

Geoffrey Fisher's hooks have been well received and to extend the family he’s made sling shots as an exclusive for twentytwentyone. 

Simon Phipp's photography provides a unique perspective and portrays Brutalist architecture in a sensitive, realistic and distinctive manner. 

We have returned from our annual pilgrimage to the Milan Furniture Fair. Inspired and enlightened.

Richard Schultz is no stranger to Knoll. He worked with Harry Bertoia during the development of Bertoia’s iconic collection of wire chairs. 

It is with great sadness we acknowledge the death of James Irvine. twentytwentyone had the great pleasure and honour to know and work with James. 

The Stool 60 was first introduced to the international public at the “Wood Only” exhibition in London in 1933, to rave reviews. 

Tim Fishlock Typeseat print, signed screenprint in an edition of 300. 

Mattiazzi is a company we have been working with since they launched the Branca chair by Industrial Facility.

twentytwentyone will offer for sale a limited quantity of vintage Aalto designs from the architect’s much respected, University of Technology in Helsinki.

twentytwentyone are very pleased to announce their collaboration with Karimoku New Standard and will launch the collection during London Design Festival.

twentytwentyone is proud to present the print series to be produced by The Wrong Shop.